Imani Mosley

bassoonist | musicologist | digital humanist

Essays

"Say Her Name": Invocation, Remembrance, and Gendered Trauma in Black Lives Matter in Performing Commemoration (forthcoming 2019, University of Michigan Press)

Articles

"making lemonade out of strange fruit" Musicology Now (American Musicological Society), February 2017 http://musicologynow.ams-net.org/2017/02/making-lemonade-out-of-strange-fruit.html

"Queer and Loathing in Las Vegas: Performing Community in Daron Hagen's Vera of Las VegasNewMusicBox, June 2016 http://www.newmusicbox.org/articles/queer-and-loathing-in-las-vegas-performing-community-in-hagens-vera/

Papers

“This is music of a special and singular power”: Britten and Diegetic/Nondiegetic Music in Wes Anderson’s Moonrise Kingdom | view here

Poetry of Women, History of Men: The Role of Women and Gender in Benjamin Britten's The Rape of Lucretia (MM Thesis, 2010) | view here

Talks

Why Britten Matters | view here

My interview with BBC Radio 4 discussing Brahms' Ein deutsches Requiem

 

My interview with South Carolina Public Radio discussing Britten, Peter Grimes, and academia